Thursday, November 5, 2015

Journey's to Fairy Land

A drum sounds in the chilly Alpine night calling you from your warm bead to climb upon a giant hare. Over snowy hills and icy rivers you ride into the spirit world where an army of shamans from your homeland has gathered to defend next years crop against evil witches.  Few benandanti, cunning, shamans, or whatever else you might want to call them ever chose this life, they were compelled to it. Called by the fairies on some dark night or in some lonely place.

Most of us will never experience the spirit world of the shamans, the witches and the cunning at one time people believed the spirit world was all around them. For fairies lived not just in the forest, but also under the thresholds and hearths of their houses, in the fields where they farmed, in the rocks on hills overlooking their village. Often times what we find in folk lore is that the spirit world isn’t a place, its a state of mind. Those who have studied shamans call this state of mind ecstasy. (European Shamanism)

Take Anne Jefferies, for example. As a witch in the 1600s she often entered the fairy realm, or at least her soul did, her body remained behind, just as a shamans body remains when they travel into the spirit world. Anne Jefferies  was always a bit of an odd one. She was a young servant girl who was known for doing things that even the boldest boys were afraid to do. Among these things was her seeking out the fairies.

Turning up fern leaves, and looking into the bells of the foxglove to find a fairy, singing all the time. “fairy fairy and fairy bright; Come and be my chosen sprite,”
 She never allowed a moonlight night to pass without going down into the valley, and walked against the stream, singing: ‘Moon shines bright, waters run clear, I am here, but where's my fairy dear? (Hunt, 1903)'

At first the fairies ignored her, finally, however, she heard a suppressed laugh and a ruffle under the branches in the garden. When she went to search for the sound she heard a musical laugh and ringing, Suddenly she felt afraid or whoever might be watching her. Finally six handsome little men in green appeared, the grandest of which wore a red feather, and it was this one who spoke to her with a bow.

Ultimately these fairies brought her to the fairy court,

"She was in one of the most beautiful places—temples and palaces of gold and silver. Trees laden with fruits and flowers. Lakes full of gold and silver fish, and the air full of birds of the sweetest song, and the most brilliant colours. Hundreds of ladies and gentlemen were walking about. Hundreds more were idling in the most luxuriant bowers, the fragrance of the flowers oppressing them with a sense of delicious repose. Hundreds were also dancing, or engaged in sports of various kinds. Anne was, however, surprised to find that these happy people were no longer the small people she had previously seen. There was now no more than the difference usually seen in a crowd, between their height and her own. Anne found herself arrayed in the most highly-decorated clothes (Hunt)."

The only unusual aspect to Anne's story is that she sought out her relationship with the fairies, there were many others who were brought into the fairies court, often before the fairy Queen or King. Here they were typically ordered to use their new found powers to help humanity. Other times, as in Russia a girl might stumble out of the woods covered in moss, with the whispers of the forest fairies still in her ears.

Another man in France was taken into the forest by the spirits who ordered him to "rob from the rich to give to the poor." Such an order was common for the fairy queen to give. This is likely the source for the original Robin Hood tale.

In Japan there was a young boy who was taken into the mountains and raised by the tengu and mountain kami for a time before being returned to the humanity in order to help people navigate the changing world.

What's important to understand from such stories is that most witches were chosen by the fairies because they wanted to help humanity. Fairies have built our civilization, indeed at one time each technological advance was attributed to them. We might abuse or misuse their technology, just as a little kid might throw his Legos, but many fairies are not against cities or civilization (though some are).

Perhaps most common of all in fairy tales are those who enter the spirit world in order to help the fairies work. Take, for example, the Russian Tale of "The Girl in the Well" in which a girl falls into fairy land where she is asked to clean up after sheep, feed animals, and do other menial tasks for which she is paid in great wealth. Often times stories of the devil trying to purchase a persons soul are corruptions of stories about a forest or water fairy trying to get a person to become their servant for many fairies had trouble with household choirs, or simply couldn't be bothered with them.

There is another reason for fairies to seek out humans, for "when the fairy tribes under the various kings and queens have a battle, one side manages to have a living man among them, and he by knocking the fairies about turns the battle in case the side he is on is losing."

Wednesday, October 14, 2015

Fairy Wars Part 2

You can learn more at "Fairy Wars Part 1)

Books often divide fairies into two courts, however, there were often many hundreds, even thousands of fairy courts. In Irish lore, for example, each district had different fairy kings and queens to rule ove them. Thus each land could be said to have it's own fairy guardians who battled the fairies from other lands in order to protect not only themselves, but the people of their lands. According to "Fairy Faith in the Celtic Countries" (Wentz)

The invisible Irish races have always had a very distinct social organization, so distinct in fact that Ireland can be divided according to its fairy kings and fairy queens and their territories even now; and no doubt we see in this how the ancient Irish anthropomorphically projected into an animistic belief their own social conditions and racial characteristics. And this social organization and territorial division ought to be understood before we discuss the social troubles and consequent wars of the Sidhe-folk. For example in Munster Bodb was king and his enchanted palace was called the Síd of the Men of Femen; and we already know about the over-king Dagda and his Boyne palace near Tara. In more modern times, especially in popular fairy-traditions, Eevil or Eevinn (Aoibhill or Aolbhinn) of the Craig Liath or Grey Rock is a queen of the Munster fairies; and Finvara is king of the Connaught fairies. There are also the Irish fairy-queens Cleeona (Cliodhna, or in an earlier form Clidna,and Aine. 

As you can see, even the small island kingdom of Ireland had multiple fairy courts, each of which was in near constant competition with the others. Of course each of these kingdoms could be much larger than the human land where they were supposed to be because as I point out in my article on "Elf Kingdoms"

In European lore kingdoms of elves and fairies were often times found in tiny forests. In Shropshire, among other places, for example, any small batch of trees could could contain a fairy kingdom. Most ordinary humans walking through these small batches of trees wouldn't run into the fairies or elves, or even know that there was a kingdom which stretched for miles contained within them. The fairy and elven kingdoms in these woods were in a magical dimension which could only be reached under specific conditions, such as walking counter clockwise around a certain tree or hill.

In Yeat's "Fairy and Folk Tales of the Irish Peasantry" a man named "McAnally tells how once a peasant saw a battle between the green jacket fairies and the red. When the green jackets began to win, so delighted was he to see the green above the red he gave a great shout. In a moment all vanished and he was flung into the ditch."

Human's it seems were very much involved in the politics of the fairy realm, perhaps much like we are involved in rooting for our own local sports teams. There is, however, one difference. When the fairies of one land lost to those of another they would steal the fertility from the other land. Therefor the winners of these wars would have a good harvest, while the losers would have a poor one. We perhaps see remnants of this idea in the rituals of the benandanti of Northern Italy and other Alpine traditions. Here Perchta or some other fairy queen would leave shamans and fairy like beings to do battle with witches who sought to steal the fertility of the land. Such witches were almost always from neighboring villages. It makes sense to presume that such battles might have once been between rival villages for the fertility of the land, to insure that they, not their enemies had a rich harvest.

What we see from this is that humans and fairies were often dependent on each other. This, however, wasn't always the case. In lands as far flung as Ireland and Japan humanity had to battle and defeat the spirits of the earth in order to gain the right to live, hunt, fish, and farm.

In Japan, for example, there were a Kami which appeared as serpents with horns. These kami attacked the people trying to turn a valley into farms. Finally a hero arose who defeated the kami and drove them into the mountain forests. He then made a treaty with them that people would provide them with offerings and prayers in return for the land they'd taken and rich harvests. In Ireland the Druids helped to defeat the Tuatha De Danann, driving them them underground. Among the Komi people of Siberia, the Koreans, and Manchurian peoples,  heroes defeated forest and lake spirits in order to force them to allow people to hunt and fish in previously sacred forests.

The idea of humanities war with nature is likely as ancient as humanity.

It makes sense that these wild nature spirits would also become the deities of war. Again Wentz states that;

It is in the form of birds that certain of the Tuatha De Danann appear as war-goddesses and directors of battle, and we learn from one of our witnesses that the 'gentry' or modern Sidhe-folk take sides even now in a great war, like that between Japan and Russia. It is in their relation to the hero Cuchulainn that one can best study the People of the Goddess Dana in their role as controllers of human war. In the greatest of the Irish epics, the Tam Bó Cuailnge, where Cuchulainn is under their influence, these war-goddesses are called Badb (or Bodb) which here seems to be a collective term for Neman, Macha, and Morrigu (or Morrigan) each of whom exercises a particular supernatural power. Neman appears as the confounder of armies, so that friendly bands, bereft of their senses by her, slaughter one another; Macha is a fury that riots and revels among the slain; while Morrigu, the greatest of the three, by her presence infuses superhuman valour into Cuchulainn, nerves him for the cast, and guides the course of his unerring spear. And the Tuatha De Danann in infusing this valour into the great hero show themselves

It shouldn't be surprising that many fertility goddesses or "Earth Mothers" and goddesses in general were more likely to be deities of war than peace. After all the earth is very often associated with the realm of the dead and with human territory. The Swan Maidens of the North were both war goddesses and Grim Reapers, serving either Odin or further east the lord of death Erlik. Among the Kalmyk(the only Buddhist Nation in Europe) the Swan Maiden's closest friend was a tiger in the underworld who sought to devour those who entered her realm.

None of this should be surprising because, just as the Roman's and the Hun's did,, anyone who was more skilled at war would ultimately consume their neighboring cultures. This means that those cultures which believed in war like deities where far more likely to have survived the constant migrations of the past.

Thursday, September 10, 2015

Early Samurai

The early samurai were largely defined by the wilderness and perhaps most interestingly by the first people's of Japan. For Japan's rugged nearly impassible mountains were covered in primal forests that made in nearly impossible for the Imperial Court to finally take control over the whole of Japan. Their poorly trained army of conscripted peasants continued to loose battle after battle to the Emishi, the armies of hunter gatherers and agricultural people's who wouldn't bend to the Emperor's control. As the peasants died the amount of rice the Emperor could collect from them in taxes decreased. Realizing that he couldn't afford to continue to fight the way he was he tried starving the Emishi out, passing laws against trading with them, but smugglers earned too much money from their fine horses and other goods to stop. Finally in desperation he turned to the hunters within his territory. From the ranks of these people the Imperial Court considered primitive came the Samurai.

These early Samurai understood the mountains and wild places of Japan, they knew how to use bows, how to fight a guerrilla war. They were able to use this knowledge to help the Imperial Court take over the whole of Japan.

In early Japan these Samurai lived in the country, on the farms from which they collected their taxes (A thousand years after their formation the Shogunate would force them to live in cities where he could control them). Here they waged small wars with each other to conquer ever more land or settle innumerable disputes. These early samurai were more likely to fight with bows than swords. Japan is a mountainous uneven land, so rushing an enemy with a sword can be very difficult if not impossible.
Even duels between samurai often took place with both of them firing and dodging arrows.

In this world honor came from victory, indeed many of the early heroes of Japan can be said to have been very similar to later ninjas (and many samurai were ninjas, in fact there were classes which taught samurai how to sneak into buildings and rob them). A samurai might hide in an outhouse or a tree and assassinate their unsuspecting enemy. One of early Japan's greatest heroes, Yamato, finds victory against his enemies first by dressing as a woman and then killing the unprepared man. He then travels to the land of another enemy named Idzumo so he makes friends with him. 

So, having secretly made the wood of an oak-tree into a false sword and augustly girded it, he went with the bravo to bathe in the River Hi. Then, His Augustness Yamato-take getting out of the river first, and taking and girding on the sword that the Idzumo bravo bad taken off and laid down, said: " Let us exchange swords! " So afterward the Idzumo bravo, getting out of the river, girded on His Augustness Yamato-take's false sword. Hereupon His Augustness Yamato-take, suggested, saying: "Come on! let us cross swords." Then on drawing his sword, the Idzumo bravo could not draw the false sword. Forthwith His Augustness Yamato-take drew his sword and slew the lclzumo bravo. Then he sang augustly, saying: "Alas that the sword girded on the Idzumo bravo, and wound round with many a creeper, should have had no true blade!" So having thus extirpated the bravoes and made the land orderly.

In addition many samurai could be likened to bandits, vikings, people who raided villages for money. They were often brutal and thuggish. This is clear in fairy tales which treated them as monsters, very much like an oni. They would attack poor travelers. In one tale a samurai demands that two craftsmen hand over everything they've saved over the course of years of work. When they refuse he kills one of them and chases the other for a ways. To a large extent this began to be the way many ordinary people viewed vagrant samurai, as bandits or simple thieves. They broke into people's homes, slaughtered merchants and peasants, and generally caused trouble.

In one story a young man's father is killed and his land taken in war. Deciding that it was beneath him to work and being a fearless warrior "he decided that he would feed himself through highway robbery. So he began to work in the Etschigo Mountains and soon became one fo the most feared predators there was. The mountains were full of other bandits but they knew that Jiraiya was indisputably the most daring and boldest of them all so they came to ask him to be their leader. Jiraiya agreed and soon became a bandit king without peer. After some time however he was not happy with his fate but lived with the hope that he would in time gain enough money to raise an army against his powerful enemy; the daimyo who had murdered his father."

Tuesday, September 1, 2015

Agricultural Shamanism and the Fairy Realm

(I have a list of fairy tales with shamanistic elements at the end of this article)

It is often presumed that shamanism comes from Siberia and the America's and that it didn't exist outside these regions. However, Winkelman (1990) found in his seminal work that nearly every culture has a history of shamanism. Many of these traditions continued in agricultural and pastoral societies. After all the folk religion which forms the basis of shamanism is about building a good relationship with the spirit world, with the fairies. The Sami particularly believed that;

The relationship with nature and its forces is not submissive but active. Humans can, when necessary, influence the powers of nature by giving, offering, sharing, asking, promising, taking care of, showing respect to, or assuming the shapes of animals. Offerings were made to the natural spirits only when necessary: for example, when a spirit was known to be angry because people had broken some rule. One did not ask spirits for help, but for goodwill and patience while one stayed in their area. Every geographical place was considered an entity in which the physical dimension was in balance with the spiritual one. (Delos Initiative)

People could plead with nature and its spirits throughout Europe, asking them for help. This relationship and the magico-religious ideas which came with it didn't end with the coming of agriculture or Christianity.

Take for example the benandanti of Northern Italy who would send their souls out of their body and riding upon rabbits, cats, or other animals would battle evil shamans for the fertility of the land and livestock. This is clearly connected with one of the most important jobs of shamans in Hunter Gathering societies, that of sending one's soul out of their body and into the spirit world to gather game animals to the tribe (and often battling shamans from other tribes in order to do so)

The benandanti were some of the most respected people in their society. Parents who's child was born with a caul over their head would keep the caul, telling their children of their duty to protect their villages crops when they got old enough. What likely got the benandanti into trouble was that their role began to shift as time went on to that of witch hunters. Once they began accusing people of being witches the families and friends of those accused began to rebel against them. This mixed with pressure from the Catholic church ultimately broke their power base.

The Sami pastoralists (reindeer herders) had strong shamanist roots into the last century, as did Japan where certain shamans would ride on bags of rice (representing their spirit horse) in order to obtain a good harvest from the Mountain Kami or even Buddhist Deities.

It's interesting to note, however, that the shamanism of pastoral and agricultural societies tended to be quitter than that of hunter gatherers. The Sami's shaman, as well as those of Northern Italy, would lay down and enter a trance, becoming so still it seemed that they were dead. Further while in this state it was believed to be dangerous for other people to be around them. The Shaman's of Japan often entered their trance with an audience, but they did so by staring into a bowl of water, with gentle chanting, the playing of a stringed interment. In Siberia Shamans would jump around, while a chanter and drummer sang loudly, often with the whole village present. The Pygmies of Africa would gather together and sing and dance wildly until they entered a trance state and were able to see the spirits of the forest. I don't know of any agricultural / pastoral shamans who sang or danced loudly in order to enter their trance like state. In general it seems to have been much quitter (if you know of any exceptions to this, please let me know about them as I would be very interested).

I can't be certain why shaman figures seem to be different in agricultural societies, however, it has been found repeatedly that our jobs tend to alter our personality in semi-predictable ways. In agricultural societies, for example, its been found that crops which require corporative farming such as rice and cotton cause cultures to become more collectivist. On the other hand crops such as wheat or individual cattle ranches tend to produce more individualist cultures. So it would make sense that there is a difference between those who hunt and fish for their food and those who farm it. It's important to understand that these differences are required for a people's survival and that it would be wrong to argue which method of survival is better or worse.

As agricultural societies urbanize such that creative people

Fairy Tales and Agricultural Shamanism
Agricultural Shamanism often shows up in fairy tales, though as with all shamanistic tales the meanings of these stories aren't always readily apparent to outsiders.

Take for example, the British story of Yarrley Brown a young hears a voice calling out for help. When at last he looks under a rock he sees a tiny male fairy covered in hair. This fairy thanks him for his help and from that point on assists him in farming. There is one problem, however, which is that the young man's co-workers and neighbors come to fear him because of his relationship with Yallery Brown so he becomes ostracized. Finally, feeling alone and angry he curses the fairy who grows angry and says that he'll ruin his life from that point on.

The important thing to keep in mind when reading a story like this is that people once believed that it was "dangerous to speak directly about the inner lives of shamans” Kira Van Deusen (2001),  “It which is why they discussed these using stories. Many of the pieces of fairy tales come from this need to discuss the spirit world in stories as well as from the magical beliefs people held about how the world functioned.”

The Yallery Brown has a number of motifs which are important to many Shamanistic tales;

1-Shamans often felt ostracized in many societies. Living within the world of fairies and spirits is lonely, which is why the last potential shaman in one Mancheria had an exorcist banish the spirits away from her so that she wouldn't have to become a lonely shaman. Other cunning in England, though respected, were also often lonely. They might benefit from work the fields with the help of their spirit companions but they had trouble connecting with other people.

2-Often shamans would gain their power by aiding a fairy or spirit. Sometimes, the spirit would pretend to need rescuing in order to try to test the shaman or to get the shaman to interact with them.

3-In Russia and Siberia people would often avoid strange looking rocks because they were afraid that if they touched them the spirit within would force them to become a shaman like figure. Rocks were an important home for spirits. The Sami of Northern Europe, many people's of North Africa, and the Japanese all viewed rocks as one of the primary homes of their deities.

4-Perhaps the most important part of the tale of Yallery Brown, and the moral is that, if the spirits seek to force you to become a shaman you must accept your role as a shaman. Yallery Brown was in essence a warning tale which taught that no matter how bad being a shaman is, it's far worse to have the spirits angry with you.

Why Shamanism Vanished

1-Shamanism competes with the leaders of any nation for power. This is why the Emperor of Japan outlawed Shamanistic practices multiple times starting about 1300 years ago. After all a shaman which communes with deities and spirits can state that the emperor is displeasing the divine beings. (This is also why the Christian Churches of Europe worked so hard to discredit anyone who said they could talk to angels or god)

2-The spirits are demanding. People who become shamans suffer through poverty (often demanded by the spirits), the shamans sickness (they appear to be mad or have epileptic fits), and more. As societies present new opportunities for the creative and intelligent to become rich many of these people decide not to become shamans, resisting the call of the spirits and even going so far as to hire exorcist to get rid of the spirits who seek to turn them into shamans.

3-Structured societies demand more normalized behavior. The oddity of the shamans sickness and the spirits causes people to reject the shaman.

These things all happen even in what we would consider ancient societies. The Greeks, for example, began to reject the call of the nymphs 2500 years ago, the Japanese Emperor Outlawed Shamanism over a thousand years ago. Of course even then the importance of shamanism persisted in these societies until the rise of the middle class in the past fifty years.

List of Fairy Tales With Shamanistic Elements
Since it was forbidden to speak of the secret lives of shamans and spirit journeys directly they were often told in stories which contained some of the elements of a shamans experience. These are a few stories with these elements.

Yallary Brown

The Serpent Wife (page 103)
A man goes out into the woods alone and meets an animal who becomes his wife. This mystical wife helps him to gather food and do his work. Basically this story has all the elements of shamanism in an agricultural setting.

Jack and the Bean Stalk
A young man who everyone considers a fool (shamans often struggled with this early in their lives) encounters a strange spirit who gives him magical beans that allow him to climb up into the heavens.

Well at the Worlds End
A Girl is sent to find a well at the end of the world. When she is at her lowest point she meets a spirit guide in the form of a frog who helps her.

Childe Rowland
A man must retrieve someone's soul from the lord of the elves whose taken it to the other world. One of the most common motifs for a shamans epic.

The Grateful fox
A young man saves a fox who helps him become rich.

Baba Yaga
With the help of a mouse a young girl over comes Baba Yaga (who is often considered a guardian to the realm of the dead and is likely related to many important spirits to shamans in Eurasia.)

Wednesday, August 12, 2015

3 More Fairy Tales Every Witch Should Know

You can read the first three tales every witch should know here.

This is one of the most complex and important fairy tales so far as Irish shamanism is concerned. In general it tells the story of three girls, each hired one at a time to watch over a corpse which rises up and causes trouble. The youngest of the girls is the only one able to survive through the night, but she does far more than this. She follows the corpse into the "Other World" the realm of the dead and brings it back to life (one of the most important jobs of early shamans was to cure illness by entering the realm of the dead and retrieving the sick persons soul).

This story has a number of important moral magico-religious points including;

1-Be Kind - It's through kindness that the protagonist gets her fairy familiar who helps her in the realm of the dead.

2-Blessings and curses have a magic of their own
In this story the older two girls refuse to take their mother's blessing which is a clear sign that they aren't prepared to enter the  world of magic. After all a mothers blessing has power, as shown most clearly by the Scottish Fairy Tale "Maol a Chliobain" in which one girl gets tied up while she's out seeking her fortune "but her mother's blessing came and freed her."

There are a number of European stories in which the mothers blessing seems to take the form of a familiar spirit including one of the "Baba Yaga" stories from Russia in which the Mother's spirit/blessing lives on in the form of a doll given to the protagonist.

3-When you encounter the other world have a response.
The first thing the corpse dose when he gets up is ask the girl watching him if they are alone. Failing to respond to this ends with his curse. The youngest daughter, the protagonist is quick to respond with a Celtic rhyme to gain protection from the fairy realm;

"All alone I am not, I've little dog Dog and Pussy, my cat; I've apples to roast, and nuts to crack, And all alone I am not."

The Tale of St. Demetra

This story is interesting because the first part mirrors almost perfectly the story of "The Rape of Persephone." Except the Greek Goddess is called a saint, and Hades the Lord of the dead is replaced by a Turkish magician. What's more the story shifts from a myth about a deity to the story of a shamans journey and finally that of a heroes saga. What we see than is that three ancient myths are stitched together to make a new fairy tale. This story is worth reading because it shows how old myths and folk religious ideas were morphed into fairy tales.

A few of the rules this, among other fairy tales, gives us for understanding folk religion are;

1-Many of the ancient gods and folk religious ideas survived in fairy tales. Indeed, many fairy tales might tell bits and pieces of stories that pre-date the Ancient Greek religion. It should, for example, be of interest to note that Hermes's original fairy tales make him more like a fairy then a Greek deity. What's more Hermes and Dōsojin of Japan are both represented by Phallic symbols and are deities of the journey, as is Odin. While one could write this off as coincidence there aren't actually that many deities represented so by a phallic symbol, so the fact that all three which are are so similar to each could indicate that they all have a common origin thousands of years before on the steppes.

Japan's earliest deities also appear to have been water women who took the form of snakes, a motif which is also present in the Alps and other isolated parts of Europe. So it may be that these ideas existed in the common ancestor of the Joman of Japan and the European Hunter Gatherers 10,000 years ago. Of course it's difficult to say this for certain, but regardless these stories are very, very old.

2-Many, if not most, fairy tales are really multiple stories and ideas which have been stitched together. So instead of a single idea or story they have multiple ideas and stories and the same character can originally have been multiple characters from different tales. This means we must at times try to understand pieces of fairy tales to get to their root.

“The Bear and the Peasant”

Once upon a time a certain peasant lost his family and was left alone with no one to help him in his home or his fields. So he went to the Bear and said, "Look here, bear, let's keep house and plant our garden and sow our corn together."

And bear asked, “But how shall we divide it afterwards?"

“How shall we divide it?" said the peasant, “Well, you take all the tops and let me have all the roots."

“All right," answered bear.

So they sowed some turnips, and they grew beautifully. And bear worked hard, and gathered in all the turnips, and then they began to divide them.

And the peasant said, “The tops are yours, aren't they, bear?"

“Yes,"   he answered.

So the peasant cut off all the turnip tops and gave them to bear, and then sat down to count the roots. And bear saw that the peasant had done him down. And he got huffy, lay down in his den, and started sucking his paws.

The next spring the peasant again came to see him, and said, " Look here, bear, let's work together again, shall we?"

And bear answered, “Right-ho! Only this time mind! You can have the tops, but I'm going to have the roots!"

“Very, well,” said the peasant.

And they sowed some wheat, and when the ears grew up and ripened, you never saw such a sight. Then they began to divide it, and the peasant took all the tops with the grain, and gave bear the straw and the roots. So he didn't get anything that time either.

And bear said to the peasant, “Well, good-bye! I'm not going to work with you any more, you're too crafty!"

And with that he went off into the forest.

The bear in Northern Russia could be said to be the lord of the forest, the lord of the land, a form of deity who in the early days likely helped the farmer. However, because the farmer was greedy and tricked the bear he was left alone at the end of the story, with no one to help him.

You can read the first three tales every witch should know here.

Tuesday, July 28, 2015

Ninjas and Folklore

When I originally studied the people of the Amur River I was struck by how similar their lore was to that of Early Japan. For example, a great shaman character in their lore and that of Japan falls in love with the lord of the underworlds daughter. The lord of the underworld puts him through a series of tests to try to kill the shaman but his daughter helps the shaman succeed so that they can be married. The lord of the underworld is even put to sleep in both places by pulling the lice from his hair.

There are so many similarities that I began to wonder if there was some connection, a few years later it turns out that there is. The people of these lands are most closely related to the Jomon people of early Japan. In other words, much of Japan's early culture is shared with that of the hunter gatherers of North East Asia. So perhaps the story of Japan's Ninja's begins not with massive castles, but with cone shaped tents and small huts in which the hunter-gatherers of Japan first made their homes. For the art of stealth and cunning are the greatest weapons of the hunter gatherers, something, something which is clearly shown by the tales of the Oroqen. The Oroqen are closely related to the early people's of Japan and they have many folk tales that are very similar to the Japanese creation myths. Perhaps most importantly, within the Oroqen who were primarily hunter gatherers until very recently we can easily see the beginnings of the ninja myths and art in Japan. In one Oroqen tale when a man named Mokodai's wife was carried off by the Tegecen tribe he disguised himself as a cripple and went out in search of his wife. When she saw him she knew what he was doing and said that he was an old cook she knew and so her captors agreed to let him stay and cook for them. Then when they were asleep he killed them and freed his wife.

In another tale some enemies came to kidnap Mokodai’s wife yet again, though she didn’t go easily, when they stormed into her home chopped off their arms, and legs, and killing them one by one. At last they surrounded her and threatened to kill her if she didn't surrender. However, she thought “I'd rather kill myself then be caught and insulted by you,” so she lifted her sword to end her life, but an archer shot the blade from her hand and she was captured.

Her husband and brother caught up to the enemy three years later. Knowing they could not win in a direct attack, Mokodai transformed into a tree stump in order to spy on his enemy. When the leader of his enemies saw this stump he suspected it might be Mokodai, for he knew the man could appear and disappear, change form and do other tricks at will. So he shot an arrow into the stump, but Mokodai endured the pain, he shot a second arrow but Mokodai still didn't respond so the man decided that the stump was just a stump. That night Mokodai's wife, having been signaled that he was coming with his bird calls got up and cut the bow strings of their enemies. One by one Mokodai murdered his enemies and freed his wife.

Within this Oroqen story we have many aspects that are similar to Japanese motifs, and while the Linguistic and Genetic relationship between the Oroqen and Japanese is limited I believe that this story shows us two important things. First is that the idea of ninja, which is all too often traced to China, is common among the hunter gatherer cultures of North East Asia, so common that such trickery and deceit could almost be said to be the primary means by which hunter gatherers in the North, where the Japanese people come from, and waged war. Second the idea of suicide to retain honor is also present among these people, indicating further that Japan's indigenous culture retained a strong presence in it up into the modern era, and that rather than looking to China, perhaps one should look to related peoples for the source of their traditions.

Writing Prompt
Write about a ninja like society among a group of hunter gatherers which not only must deal with conflicts with other tribes, but which must also hunt for food for their village, they also have to deal with the kami rulers of the forests and many other monsters.

Among hunter gatherers the kidnapping of woman to become wives was a fairly common reason for war, as was conflict over hunting grounds as there was only so much food to go around. Hunter gatherers in these cases usually needed about one square mile per person in order to survive, although the later Jomon seem to have had a higher population density they were still in danger of starvation if they didn't have enough territory. In this case than the losing side in a war would have to watch many of their family members starve to death which had to be fairly motivating.

Another interesting point to keep in mind is that later Jomon tribes likely had wealth, which was held primarily by a few people as shown by jewelry and crafts which were traded from a long ways off, yet were not shared evenly within each grave site. This meant that there was a poorer class which may have resented the wealthier nobility.

Because hunter gatherers, and those in the wilderness throughout the world often engage in ninja like wars I would argue that the roots of Japan's ninja's come from its long periods of conflict between isolated villages over thousands of years. Even one of Japan's most famous heroes Yamato-Takeru wins many of his most famous victories by stealth and deception. He dresses like a woman to sneak into an Emishi home as a servant and assassinate their leader. He assassinated another leader by befriending him then killing him after secretly giving him a wooden sword in place of a real one. Wars are generally won in large part through knowledge and deception, for it is through such tricks that even a strong enemy is made weak. And it was the gaining of knowledge and the use of deception which the ninjas excelled at.

A storm rages outside the castle under siege, an owl glides silently through the rain and perches on a window sill for a moment as it peers through the darkness into the castle. No guards take notice of it, the window it's coming through is far too small for any human, so it flutters past them unseen. A moment later it's turned into a rat and is scurrying quickly along the walls, squeezing under doors, climbing up drainage vents to listen to the secret plans of his enemies and find places where it could start fires in order to cause the most damage to his enemies.

The shinobi (ninja) was only very rarely an assassin, as killing someone once they had infiltrated the enemy’s position would give them away. Rather they would take advantage of their stealth to spy on their enemy, learn their weaknesses and secrets, and to sabotage their operation. As spies the ninja would often first arrived in an enemy’s territory, long before any war broke out, before the land they were spying on had any knowledge that there might be a war. They had three primary tasks at this time. First they needed to determine which lands were the best marks for their lord to expand into by force. Second they needed to determine the strengths and weaknesses of the land they entered. Finally the shinobi would look for people who they could bribe over to their side. In order to find people who they could bribe they would listen for rumors about samurai and or government officials who were angry with their lord. Such as samurai had a family member was forced to commit sepiku (ritual suicide) by their lord, had been fined a lot of money, had had their income reduced, were desperate for money, or had been demoted. These were all potential targets for the ninja to bribe.

During this time the ninja would live among peasants and poor samurai, people who were likely to gossip. To do this they would act as poor travelers, as in the past such travelers often stayed in people’s homes, rather than in inns. Other times the ninja might create a false cover, even using a false family to pretend to be a merchant, blacksmith, poor samurai, or someone else who could move into a community.

Writing Prompt
In books with information on how to counter the activities of ninjas it recommends having underlings report any attempted bribe which took place right away. Because of this it’s conceivable that a ninja would need to kill those they failed to bribe effectively.

Tell the story of a ninja who bribes a number of people successfully but fails in one case. Now he must kill the person and make it appear to be accidental.

Or in another vein the ninja might have to kill off government agents so that those they've bribed can rise in rank before the war begins.

The Ninjas False Family
Write a story about a ninja who uses a fake wife and child as part of his cover when he is sent to a city or village to gather information.

As information gatherers and gatherers of double agents it was extremely important for the ninja to blend in with the people of the region he moved to. In order to do this the ninja would often times work with a woman who pretended to be their wife as well as children pretending to be theirs as well. Exactly where or how they recruited these women is uncertain, they may have purchased the contract of brothel girls and children who had been sold into servitude. They may also have picked up orphans or found desperate widows. Or there may actually have been special training for such women and children. Given the risk which was involved in these assignments it was unlikely that samurai or ninjas would give up their own wives and children for this task. Indeed it wasn't uncommon for a ninja to simply ditch their false family when the mission was over, leaving them to be captured by their enemies.

Writing Prompt
Imagine what a ninja who created an inugami could do.

Most often the Shinobi were chosen from the ranks of the lower samurais and the Ashigaru (foot soldiers) and were trained to perform their specialized tasks. Indeed samurai were told in some cases that it was important for them to learn the arts of theft for use in war and to prevent theft. Even the sword school Tenshin Katori Shinto Ryo taught the arts of the ninja to their samurai students. Further during times of peace the samurai would become unemployed, and while they were members of what was socially a higher class than most this didn't always translate to money. Because of this records show that samurai used the skills of thieves to sneak into people’s homes and rob them for hundreds of years.

Writing prompt
Write a story about a samurai who is a very skilled thief who is offered a pardon if he helps his lord in an upcoming war.

Because of the nature of their jobs Ninjas could come from any class. They could be merchants with specialized knowledge, skilled porters, and more. In addition, as with everything else in Traditional Japan, ninja’s jobs were at times passed down within the same families. Of course unlike many other jobs the ninja’s skills were meant to be a secret. This meant that if a ninjas decedents were dim witted or physically weak they wouldn't be taught these skills. Instead the ninja would have to seek out another to teach them to. After all, as spies’ ninjas were chosen because they were extremely intelligent but looked stupid. By looking stupid the ninja was able to appear unassuming, but more than this they were able to use there seeming ineptitude to gather information. Many if not most people after all, like to feel intelligent and so the ninja would buy a person a few drinks and then begin to ask them questions. The ninja’s unintelligent look meant that he could explain away his desire to know gossip or secret information, or lack of knowledge in general with a simple confused and befuddled look. The ninja’s apparent confusion meant that many a drunk person would be likely to give them more information than they should in order to explain the regions politics to the confused looking ninja.

However, in addition to having the ability to ferret out information many ninjas also needed to be skilled in the arts of stealth and war for once the war started the ninjas would sneak behind enemy lines to count soldiers and determine the make-up of enemy armies, they would sabotage the enemy through the use of fire and poison, and they would act as scouts and would lead guerrilla tactics against their enemies. This is why a lords retainers were often selected to become ninjas. Rather than loan wolves ninjas were typically a part of a larger military structure, one which they helped to win wars. In addition ninjas would work together in small groups, often leading larger groups of samurai and soldiers on a guerrilla raid inside a castle or other fortified position.

One of the favored tactics of the ninja was to use a storm as cover, so that they could sneak through a windy and rainy night into their enemy’s position where they would set fire to buildings, lead soldiers to fight quick guerrilla battles, and in short cause mayhem. Often times such infiltration meant not only the use of stealth but the climbing of hundreds of feet of rock and wall to get into a castle, or the swimming of moats all during storm, which meant that the ninja had to be very skilled at all of these.

Once inside a castle it wasn't simply stealth that allowed ninjas to pass undetected; instead their ability to seem confused, their skill at lying and their knowledge of the enemy would allow them to pretend to be guards searching for ninjas trying to sneak into the palace, messengers or simply as lost soldiers from 'such and such a clan'. In this way they were able to move about freely, gather information, and of course assassinate whomever they wish.

Although they would often lead men or perform sabotage when they would sneak into an enemy position this wasn't always the case. Often the ninja was purely after information that they would use on later raids. In this case they most likely went alone, or in very small teams so that they could sneak close enough to learn what passwords an enemy was using to distinguish friend from foe, the names of the clans and even individual people within the enemy encampment. Anything which would help the ninja lead successful raids later.

Sneaking into an enemy encampment is not the only use for stealth, however, it can also be the only way to prevent the enemy from sneaking up on one’s own army. For this reason shinobi could also be used for guard duties. Scouting out ahead of armies to search for potential ambushes. Or they could lay in wait at night in positing they felt another shinobi might try to sneak into their sides encampments.

Of course if a war was anticipated, which it often was given how common war was in Medieval Japan, there would likely already be ninjas within the enemy encampment. People who had been pretending to be someone else for weeks or even years before the war started. Such long term infiltration would better allow ninjas to join their enemies armies later, after all the easiest espionage occurs when you’re already in the trusted circle of those you’re spying on. From inside the enemy position the ninjas could spread rumors and false information to misdirect their opponent. They can also act as double agents or false guards, thus allowing the other shinobi to do their work more easily. Further while inside the enemy’s city the ninja could start fires, and raise an alarm that the city had already been breached. This misleads the guards away from their actual posts and gives the ninjas own allies outside the walls a chance to breach them.

Another way to begin a war was for ninja's to act as bandit lords, leading their allies on small raids to steal money. These, however, weren't the purpose of these raids, the purpose was to lure their enemies into the mountain in order to hunt down the ‘bandits' who had been causing trouble. Once the enemies soldiers were in the mountains traps would be sprung and rocks would be dropped on them from above. Thus the ninjas could slaughter huge numbers of their opponent’s men with very little danger for themselves, before anyone even knew they were at war.

Of course in lore ninja's were said to be able to change form, or at least nearly do so with disguises or magic. This means that any ninja who had made their way into an enemy encampment could pretend to be anyone they chose, including in some cases an animal. Part of where the idea of form changing likely comes form is the fact that ninjas would use animal skins to change their outline. This because at night or at day when the sun is right people can't and don't look too closely at animals they see all the time. This means that a ninja's disguise wouldn't have to even be very good to fool someone for a moment.

Thursday, July 9, 2015

Cute Fairy Art

About my Art 

I grew up in a tiny Yupik village of only a few hundred people and no roads in or out. Since there was little to no TV access I spent my youngest days playing outside and listening to stories about Raven and the spirit world, in essence about fairies. It was here where I learned about art, including the ever important art of masks. In the Yupik culture masks were a way to make the unseen world visible, a way to tell a story about something magical. It wasn’t just the Yupik people who viewed masks as door way into the spirit world, into the real of fairies, this was true in Ancient Greece, in Indonesia, Japan, and more. 

Like these masks my art is meant to be a doorway into the fairy realm, into imagination.

I have also come to realize the importance of cute things.

Art should make people’s lives better, and I seek to do this. So while many may not understand symbolism of art, or don’t pay much attention to such symbols, they do know how something makes them feel. I want people to feel better with my art, to escape the mundane. In this sense cute also acts as a doorway into the fairy realm, into the imagination.